“he plays a rich-sounding modern instrument, and Chandos supplies its usual feather-bed acoustic. Yet whenever there's a chance to be abrasive, Bavouzet seizes it, and he relishes the opportunities Beethoven gives him to sound wispy and 'French'.” --BBC Music Magazine, February 2014 ****
“Those following his Beethoven cycle will not be disappointed by what is on offer here and the final volume can be only keenly awaited.” --International Record Review, February 2014
“Those following his Beethoven cycle will not be disappointed by what is on offer here and the final volume can be only keenly awaited.” --International Record Review, February 2014
“This second volume is lucid yet intense in the poised Opus 31 sonatas and vital in the 'Waldstein.'” --Gramophone Magazine, March 2014
Jean-Efflam Bavouzet returns for the second volume of his survey of Beethoven’s Piano Sonatas. The project, set to conclude with Vol. 3 in 2014, runs alongside his complete recording of Haydn’s Piano Sonatas. Vol. 1 of the Beethoven series was critically acclaimed, BBC Music calling the performances ‘distinguished and virtuosic’ and Fanfare remarking that ‘his readings will withstand the test of time’. In this release Bavouzet performs the sonatas published between 1800 and 1804.
This period marked a transitional stage in Beethoven’s work and the arrival of his middle period. Included are the two Op. 27 sonatas, both modified ‘quasi una fantasia’ that break away from traditional forms. One of these, the ‘Moonlight’ Sonata, features one of his best-known movements, the opening Adagio sostenuto, which unfolds like a baroque prelude with its famous rolling triplets and lamenting melody. The ‘Waldstein’ Sonata, Op. 53 is one of the glories of Beethoven’s middle period and surpasses all his previous sonatas in scope and scale. Also recorded here is the Andante in F, a piece originally intended as the slow movement to the ‘Waldstein’. Although later replaced by a shorter Adagio molto this is a charming piece in its own right and quickly became one of Beethoven’s most popular works after being published alone as the Andante favori.
This period marked a transitional stage in Beethoven’s work and the arrival of his middle period. Included are the two Op. 27 sonatas, both modified ‘quasi una fantasia’ that break away from traditional forms. One of these, the ‘Moonlight’ Sonata, features one of his best-known movements, the opening Adagio sostenuto, which unfolds like a baroque prelude with its famous rolling triplets and lamenting melody. The ‘Waldstein’ Sonata, Op. 53 is one of the glories of Beethoven’s middle period and surpasses all his previous sonatas in scope and scale. Also recorded here is the Andante in F, a piece originally intended as the slow movement to the ‘Waldstein’. Although later replaced by a shorter Adagio molto this is a charming piece in its own right and quickly became one of Beethoven’s most popular works after being published alone as the Andante favori.
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Beethoven Ludwig van
