“The Schoenberg is simply astonishing. Hahn and Esa-Pekka Salonen shows how much beauty and brilliance there is in this work.” --BBC Music Magazine, May 2008 *****
“Where Heifetz warily trod, Hahn strides to a triumphant performance ... The Schoenberg performance is, as I say, magnificent. ” --Gramophone Magazine, June 2008
“Hilary Hahn's performance of Schoenberg's Concerto is magnificent recording. When the last chord sounds its full stop, the sense of satisfied finality is exhilarating.
Hahn has the full of measure of the piece, its gawky lyricism, ethereal filigree and cripplingly difficult cadenzas (awkward chords galore), all rendered seemingly effortless.
Wisps of old-world Vienna echo from the Andante, whereas in a performance of this calibre the finale's complex acrobatics suddenly have musical meaning.
Of course having a first-rate orchestra and conductor helps: Esa-Pekka Salonen's direction is in the very best sense of the term 'slick', a perfect example of musical badinage, alert, crystal-clear and superbly recorded. Which makes the CD mandatory listening both for lovers of the work who crave an appreciative performance and for doubters who still await conversion.
The Sibelius performance is fascinating but less wholly convincing although as with the Schoenberg Hahn weaves a seductive, evenly deployed tone and her technique is impeccable. But while in the Schoenberg you sense a palpable level of emotional engagement Hahn's approach to Sibelius is cool, sphinx-like one might say, the first movement's many solo passages broadly drawn but somehow remote. No violinist currently performing makes a lovelier sound and although time and again one notes some illuminating phrase (not to mention Salonen's immaculately groomed accompaniment) the sum effect is of a strangely cold beauty. But the Schoenberg performance is magnificent.” --Gramophone Classical Music Guide, 2010
Wisps of old-world Vienna echo from the Andante, whereas in a performance of this calibre the finale's complex acrobatics suddenly have musical meaning.
Of course having a first-rate orchestra and conductor helps: Esa-Pekka Salonen's direction is in the very best sense of the term 'slick', a perfect example of musical badinage, alert, crystal-clear and superbly recorded. Which makes the CD mandatory listening both for lovers of the work who crave an appreciative performance and for doubters who still await conversion.
The Sibelius performance is fascinating but less wholly convincing although as with the Schoenberg Hahn weaves a seductive, evenly deployed tone and her technique is impeccable. But while in the Schoenberg you sense a palpable level of emotional engagement Hahn's approach to Sibelius is cool, sphinx-like one might say, the first movement's many solo passages broadly drawn but somehow remote. No violinist currently performing makes a lovelier sound and although time and again one notes some illuminating phrase (not to mention Salonen's immaculately groomed accompaniment) the sum effect is of a strangely cold beauty. But the Schoenberg performance is magnificent.” --Gramophone Classical Music Guide, 2010
