Composed between 1963 and 2005 these four works form a spectrum that demonstrates a tendency among composers of American concert music to draw from a wide range of musical streams – classical, popular, folk and jazz. This colourful programme is performed by the North Carolina Symphony on their first BIS recording, conducted by Grant Llewellyn and with solo appearances by the celebrated jazz saxophonist Branford Marsalis and his quartet.
“…the performances are more than just enthusiastic, with discipline remarkably tight. Throw in the clarity, depth and lustre of state-of-the-art sound engineering in an acoustically favourable hall and the result is a winner.” --Gramophone Magazine, June 2009
“…the performances are more than just enthusiastic, with discipline remarkably tight. Throw in the clarity, depth and lustre of state-of-the-art sound engineering in an acoustically favourable hall and the result is a winner.” --Gramophone Magazine, June 2009
