“Müller-Schott and Hewitt deliver strong and committed performances characterised by great attention to detail and wonderful musical interaction...both players maximising the degree of tonal variety without any recourse to exaggerated mannerism.” --BBC Music Magazine, April 2010 *****
“These performances are strongly characterised, clearly etched and full of life and drama...In short, these are striking, accomplished, highly individual performances.” --Gramophone Magazine, May 2010
“These performances are strongly characterised, clearly etched and full of life and drama...In short, these are striking, accomplished, highly individual performances.” --Gramophone Magazine, May 2010
Daniel Müller-Schott (cello) & Angela Hewitt (piano)
The mercurial partnership of Angela Hewitt and Daniel Müller-Schott brought overwhelming intensity and emotional gravitas’ to a first disc of Beethoven’s cello sonatas. Here in a second volume they present two more of these groundbreaking masterpieces, together with the composer’s homages to Mozart and Handel—works which are equally important additions to the cello repertoire.
Hewitt’s characteristic digital dexterity and deep understanding of the classical style and Müller-Schott’s vibrant playing combine to create performances of great energy and sensitivity that will delight their many fans.
In a fascinating booklet note, Daniel Müller-Schott explores the evolution of Beethoven’s works for cello from a musician’s perspective, describing their revolutionary power and demonstrating the composer’s multifarious imagination [‘Mannigfachphantastische’].
The mercurial partnership of Angela Hewitt and Daniel Müller-Schott brought overwhelming intensity and emotional gravitas’ to a first disc of Beethoven’s cello sonatas. Here in a second volume they present two more of these groundbreaking masterpieces, together with the composer’s homages to Mozart and Handel—works which are equally important additions to the cello repertoire.
Hewitt’s characteristic digital dexterity and deep understanding of the classical style and Müller-Schott’s vibrant playing combine to create performances of great energy and sensitivity that will delight their many fans.
In a fascinating booklet note, Daniel Müller-Schott explores the evolution of Beethoven’s works for cello from a musician’s perspective, describing their revolutionary power and demonstrating the composer’s multifarious imagination [‘Mannigfachphantastische’].
Tags:
Beethoven Ludwig van
